Wednesday, September 23, 2009

A small selection of classic horror movie posters

Here are some classic posters for some of the films covered on this blog. Click on the images to see larger versions.

First, the film that started it all in 1931. I wonder if Universal's marketeers had the same feeling about the spiderweb scene that I do. Click here to read my reviews of Universal's early vampire movies.
Dracula 1931 artwork

The fright continued with the film that elevated Karloff from bit-player to movie star. Click here to read my review of "Frankenstein" and its sequels.

A chilling image to represent that last of the true sequels to the original "Frankstein" film. After this one, they became cross-over fests that were just as much sequels to "The Wolf Man." Click here to read my review of "Ghost of Frankenstein" and four other Universal Frankenstein films.

And, finally, the period at the end of the Classic Universal Monster Era...
Click here to read my reviews of the funny side of Universal's iconic horror creatures.

Tuesday, September 1, 2009

Although from the 1950s, this film looks and feels like it's from the 1940s

The Black Castle (1952)
Starring: Richard Green, Stephen McNally, Rita Corday, Boris Karloff, Tudor Owen, John Hoyt, Michael Pate, Lon Chaney Jr, and Henry Corden
Director: Nathan Juran
Rating: Seven of Ten Stars

In the early 18th century, an English spy (Green) travels to Austria's Black Forest to determine the fates of two of his best friends and fellow operatives. They were last heard from as guests of an eccentric count (McNally) whom they had opposed in Africa. While trying to ferret out the count's secrets, our hero decides to rescue his innocent young wife from his clutches (Corday).

"The Black Castle" is an excellent and suspense-filled period drama that, although it's being told in flashback and you know that the hero and his love interest won't come to the dire end that they seem destined for, remains unpredictable until the very end. It's a film that builds steadily toward its final twist, a twist that few will see coming but that is nonetheless set up by everything that went before. It doesn't say anything good about modern screenwriters when, in a time where twist endings on suspense and horror films are all the rage, that a B-movie writer can do something far, far better than they come up with on their best days, in a time when they weren't common.

Aside from a well-done script, the film is further augmented by excellent sets and excellent cinematography and some fine performances by the entire cast. Of particular note is Stephen McNally, who, although he plays the ultimate Snidley Whiplash-type character who is dwells in the ultimate melodramatic gothic villian's lair--an isolated castle with secret corridors, torture chambers, burial vaults and a pit full of crocodiles, still manages to bring a little depth to the character. He injects just enough charm into this thoroughly evil character that I couldn't help but root for him ever-so-slightly in his effort to outwit the one-dimensional, more-righteous-than-righteous British agent.

Also of note are the performances by the two horror cinema great Boris Karloff. His role is small, but, like McNally he manages to bring infuse some depth into a character who might otherwise come across as just a sniveling slimeball. (Lon Chaney Jr is also seen, once again playing one of those menacing simpletons that he seemed to have been relegated to at this stage in his career... he does what he can with a fairly empty part.)

"The Black Castle" is a film that should appeal to lovers of classic movies, especially if they like their gothic romances with a side of twisted vengence. Although made in the mid-1950s, the film feels more like something from the 1930s or 1940s. It's one of the highlights of "The Boris Karloff Collection" five-movie set from Universal.